The Ultimate Filmmaking Content Library
300+ lessons packed with on-set video tutorials taught by Oscar and Emmy-winning filmmakers, illustrated articles, hundreds of downloadable forms, online resources, and much, much more.
Video Tutorials
Experience every part of the filmmaking process through engaging on-set video tutorials shot on working sets.
Articles
Supplement videos with thousands of illustrated articles on nearly every facet of the filmmaking process.
Downloadables
Download hundreds of real documents from top TV shows and movies, as well as blank templates you can use on your own productions.
Web Links
Connect with industry leading production companies, job boards, vendors, rental facilities, and online resources.
Explore the Lessons
Your academic license includes the following lessons. Mix and match to create custom learning paths for your students.
How to Break into the Film Industry | ||
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Career Advice from the Pros | 21:13 | |
How to Get Your First Job | 22:54 | |
How to Move to Los Angeles | 18:13 | |
How to Make Money in the Film Industry | 24:37 | |
Realities of a Career in the Film Industry | 27:18 | |
The Art of Networking | 22:17 | |
How to Survive in Hollywood | 17:00 |
How to Write Your Screenplay | ||
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Beginning the Writing Process | – | |
Working with a Writing Partner | – | |
Developing the Idea | 34:58 | |
The Changing Landscape of Television | 34:36 | |
How to Structure Your Story | 33:07 | |
Defining and Writing Comedy | 29:36 | |
The Hidden Tools of Comedy | 32:02 | |
The Three Act Structure | 35:45 | |
A-Story and Subplots | 28:27 | |
How to Fix Story Pacing Problems | 37:01 | |
Creating an Amazing Protagonist | 33:13 | |
Creating the Perfect Antagonist | 23:08 | |
Conflict Types | 20:20 | |
How to Write Memorable Supporting Characters | 18:24 | |
Understanding Character Archetypes | 21:45 | |
How to Develop Your Character’s Personality and Backstory | 29:49 | |
Writing Original Dialogue and Subtext | 25:48 | |
The Writing Process from Title to Outline | 26:00 | |
How to Write the First Draft | 22:36 | |
Techniques for Rewriting and Refining Your Script | 31:52 | |
How to Market Your Script to Producers and Agents | 27:09 | |
How to Become a Hollywood Writer Part I | 10:53 | |
How to Become a Hollywood Writer Part II | 30:12 | |
How to Work in a Television Writers Room | 24:40 | |
How to Write a Reality Television Show | 22:22 |
Working with Final Draft Software | ||
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Final Draft – Script Basics | 26:05 | |
Final Draft – Using Templates | 13:02 | |
Final Draft – Story Organization | 15:21 | |
Final Draft – Distributing Your Script | 17:37 | |
Final Draft – Tips, Tricks, & Utilities | 28:00 | |
Final Draft – Production | 23:15 |
Producing and Development | ||
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The Studio System | 33:09 | |
Working for a Studio | 26:19 | |
Making a Business Plan | 30:53 | |
Packaging Your Movie | 29:29 | |
Agents and Managers | 23:37 | |
How to Pitch and Sell a Reality TV Show | 28:54 | |
How to Raise Money for your Movie | 39:30 | |
Taking Advantage of Tax Incentives | 21:54 | |
Forming a Production Company | 32:54 | |
How to Manage the Budget Money | 36:07 | |
Hiring the Crew | 30:31 | |
Working with Vendors | 18:34 | |
Unions and Guilds | 35:40 | |
Working with SAG/AFTRA | 25:47 |
Scheduling and Budgeting | ||
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Beginning Pre-Production | – | |
Breaking Down the Script | 19:11 | |
Scheduling the Production | 29:27 | |
Scheduling the Day | 30:03 | |
How to Build a Budget | 30:45 | |
Production Insurance | 19:45 |
The Crew | ||
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Crew Structures | – | |
Crew Positions | – | |
The Line Producer | 37:33 | |
The Unit Production Manager | 28:57 | |
Production Coordinator | 19:53 | |
1st Assistant Director | 39:06 | |
2nd Assistant Director | 10:10 | |
2nd 2nd Assistant Director | 5:33 | |
Production Assistants | 31:36 | |
Script Supervisor | 28:44 | |
Production Designer | 21:14 | |
The Art Director | 11:26 | |
Construction Coordinator | 27:52 | |
The Cinematographer | – | |
Camera Operator | 26:13 | |
1st Assistant Camera | 11:24 | |
2nd Assistant Camera | 7:33 | |
Key Grip | 20:45 | |
Best Boy | 11:22 | |
Grips | 12:01 | |
Working as a Grip | 25:16 | |
Dolly Grip | 13:02 | |
Gaffer | 20:10 | |
Best Boy Electric | 9:57 | |
Electricians | 16:19 |
Cinematography | |
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An Overview of Cinematography | – |
How a Cinematographer Preps a Project | – |
Camera and Lens | |
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Building the Camera Package | – |
How to Prep a Camera | 14:37 |
Imaging Sensor and ISO | 20:25 |
Frame Rates | 20:02 |
Film vs Video | 26:57 |
Tripods and Sliders | 17:58 |
Introduction to Lenses | 22:00 |
Lens Care | 9:28 |
Focusing Techniques | 23:21 |
How to Expose a Shot | 25:16 |
F-stops and T-stops | 17:42 |
The Zone System | 23:03 |
Lens Focal Length | 23:50 |
Depth of Field Tutorial | 27:29 |
Macro Focus | 9:28 |
Back Focus | 4:51 |
The Shutter | 12:54 |
Managing Your Media | – |
Framing and Composition | |
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The Visual Story | 35:48 |
Composing the Shot | 27:03 |
Creating Depth on Screen | 25:43 |
Singles and Over the Shoulder Shots | 24:25 |
Head Room and Lead Room | 19:41 |
Eyelines | 18:01 |
Screen Division and the Rule of Thirds | 23:06 |
Screen Direction and the Rule of 180 | 23:06 |
Shot Types and Camera Movements | 27:56 |
The Frame | 24:45 |
Using a Clapboard | 11:04 |
Using a Light Meter | 12:34 |
Using a Production Monitor | 14:29 |
Lighting | |
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Introduction to Light and Exposure | 23:27 |
Attributes of Light | 34:02 |
Tungsten Lighting | 11:01 |
HMI Lighting | 20:02 |
Kino-Flo Fluorescent Lighting | 14:02 |
LED Lighting | 7:10 |
How to Build a Light Kit | 15:31 |
Low Budget Lighting Tools | 9:37 |
Reducing Light | 26:43 |
Softening Light | 26:50 |
Working with Reflected Light | 19:18 |
Shaping Light | 23:53 |
Color Temperatures | 26:22 |
Lighting a Scene | 24:42 |
Lighting Daytime Exteriors | 23:10 |
Working with Mixed Light | 22:32 |
Lighting People | 23:36 |
Three Point Lighting | 21:28 |
Key Light Techniques | 25:20 |
Advanced Lighting Techniques | 17:15 |
Green Screen Techniques | 25:22 |
Lighting Demo – Kitchen Counter Daytime | 19:14 |
Lighting Demo – Bedroom Dialogue Scene – Nighttime | 23:19 |
Lighting Demo – Bedroom Daytime | 20:19 |
Lighting Demo – Bathroom Daytime | 24:22 |
Lighting Demo – Living Room Nighttime | 12:34 |
Lighting Demo – Kitchen Table Daytime, Part I | 19:59 |
Lighting Demo – Kitchen Table Daytime, Part II | 13:20 |
Lighting Demo – Living Room Morning | 16:21 |
Lighting Demo – Dining Room Nighttime | 23:04 |
Grip and Rigging | |
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C-Stands | 17:59 |
Clamps | 23:36 |
Stands | 16:37 |
Rigging | 17:59 |
Grips Support | 8:02 |
Grips Rigs | 19:09 |
Butterflies and Overheads | 18:51 |
Dolly and Track | 29:18 |
Grips Tools | 9:20 |
Knots for On Set Rigging | – |
Quick Start Lessons | ||
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Setting Up Your Camera | 12:36 | |
Basic Shooting Techniques | 16:56 | |
Basic Framing Techniques | 16:27 | |
Basic Audio Techniques | 15:21 | |
Bsic Production Techniques | 15:51 | |
Directing Actors | ||
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Analyzing Character | 25:37 | |
Rehearsing with Actors | 25:37 | |
Rehearsing Exercises | 24:47 | |
The Art of Directing Actors | 30:07 | |
Acting in a Changing Industry | 19:48 | |
Acting Techniques | – | |
Acting Techniques for the Screen | 28:33 | |
How to Direct Actors on Set | 36:29 | |
Common Directing Mistakes and How to Avoid Them | 21:20 | |
How to Direct Background Extras | 29:54 |
The Directors Craft | ||
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Beginning a New Project | 30:29 | |
Developing the Visual Look of Your Movie | 38:22 | |
A Day as a Director | – | |
How to Shoot a Scene | 39:23 | |
How to Direct a Scene | 31:19 | |
Blocking Actors | 34:22 | |
Basic Coverage | 20:21 | |
Advanced Coverage | 26:18 | |
How to Direct a Chase Scene | 21:39 | |
How to Create Invisible Camera Moves | 25:42 | |
Storyboards and Pre-Visualization | 31:02 | |
How to Create a Shotlist | 17:48 | |
Continuity and Script Notes | 23:26 | |
Working with the Military | 20:23 | |
Reality Show Interview Techniques | 25:00 |
Production Design | ||
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The Art Department | 29:54 | |
How to Design a Set | 25:28 | |
Set Construction – Building Your Set | 35:15 | |
How to Dress Your Set | 33:16 | |
Creating the Look of the Environment | 32:10 | |
Props | 36:16 | |
Tour a Prop House | 6:08 |
Shooting on Location | ||
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Finding Locations | 19:13 | |
Film Commissions | 24:53 | |
Working with Location Owners | 34:47 | |
Shooting on a Studio Backlot | – | |
Film Permits | 22:58 | |
Location Tech Scouting | 26:03 | |
Community Relations | 25:00 |
Production Life | |||
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What to Bring to Set | 9:31 | ||
Filmmaker’s Toolkit | 10:40 | ||
Proper Set Etiquette and Behavior | 15:44 | ||
Working with Difficult Personalities | 22:56 | ||
Walkie Talkie Etiquette | 14:59 | ||
A Day on Set | – |
Audio Recording | ||
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The Physics of Sound | 25:33 | |
How Microphones Work | 21:56 | |
Microphone Pick-Up Patterns | 18:55 | |
Audio Pre-Production | 26:36 | |
Lavalier Microphones | 18:18 | |
The Microphone Boom | 17:29 | |
Boom Operating Techniques on Set | 20:36 | |
How to Record Audio on Location | 23:02 | |
Recording the Audio | 35:09 | |
Audio Configurations | 20:00 | |
Working with Cables and Adapters | 19:18 |
Documentary Filmmaking | ||
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Introduction to Documentary Filmmaking | 24:51 | |
Finding the Story | 28:18 | |
Documentary Pre-Production | 18:51 | |
Choosing the Right Gear | 32:08 | |
Finding the Interview Location | 18:53 | |
Interview Camera Set-Ups | 25:05 | |
Preparing for the Interview | 33:03 | |
How to Conduct an Interview | 32:05 | |
Ethics and Objectivity | 21:37 | |
How to Shoot Amazing B-Roll Footage | 21:52 | |
Field Shooting Techniques | 20:17 | |
Editing a Documentary | 28:41 |
Safety Training | ||
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The Attitude of Safety | 20:45 | |
Basic On Set Safety | 34:49 | |
Equipment Use and Safety | 18:47 | |
On Location Safety | 20:32 | |
Studio Facilities Safety | 24:14 | |
Vehicle and Roadway Safety | 21:13 | |
Shooting Moving Vehicles | 19:34 | |
Lighting Equipment Safety | 26:46 | |
Grip and Rigging Safety | 30:36 | |
Electrical Safety I | 39:10 | |
Electrical Safety II | 29:51 | |
Lifts, Trucks, and Tools | 24:25 | |
Weapon and Prop Safety | 29:08 | |
Pyrotechnics and Special Effects | 24:06 | |
Environmental Safety | 25:45 |
Editing | |||||||||||
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Introduction to Editing | – | ||||||||||
Hiring an Editor | 10:46 | ||||||||||
Working with an Editor | 20:23 | ||||||||||
Concepts of Editing | 37:39 | ||||||||||
Data Management and Workflow | 26:39 | ||||||||||
The Assembly Cut | 21:33 | ||||||||||
Stock Footage | 20:58 | ||||||||||
How to Edit a Dialogue Scene | 34:27 | ||||||||||
Editing Action | 24:56 | ||||||||||
The Rough Cut | 19:04 | ||||||||||
Test Screenings | 21:34 | ||||||||||
The Fine Cut | 14:44 | ||||||||||
Online and Offline Editing | 8:28 | ||||||||||
Color Grading | 15:40 | ||||||||||
Understanding Compression | – |
Audio Post-Production | ||
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Intro to Audio Post Production | 24:49 | |
ADR | 30:31 | |
Directing Actors in ADR | 28:19 | |
Foley | 33:33 | |
Sound Effects | 24:49 | |
Mixing the Audio | 31:18 |
Music Composition | ||
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Emotion Through Music | 28:25 | |
The Who and How of Music | 31:29 | |
Working with a Composer | 47:33 | |
Music Licensing | 33:15 |
Film Marketing | ||
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Film Marketing | 15:41 | |
Reaching Your Audience | 26:05 | |
Designing the Key Art | 16:11 | |
Making a Movie Trailer | 27:23 | |
Building Your Website | 5:43 | |
Building a Press Kit | 13:35 | |
Working with the Media | 17:56 |
Distribution | ||
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Introduction to Distribution | 32:55 | |
Film Ratings and the MPAA | 14:09 | |
Domestic Distribution | 23:32 | |
Foreign Distribution | 37:19 | |
Mistakes Filmmakers Make at Film Festivals | 30:05 | |
Film Festivals | 26:46 | |
Online Distribution | 27:34 |